The Liverpool based punk outfit, show no fear and all their hallmark fury as they release their most recent single into the world “Robot Queen”.

The Marigolds slam the door open with “Robot Queen,” a track that wastes no time announcing itself.

A feral, thrashing guitar riff kicks things into gear—raw, ragged, and gloriously unrefined—dragging you straight into the furnace before the band yanks the wheel into an unexpected glide.

Suddenly the chaos melts into a melodic, off-kilter verse, the kind of left-turn you’d expect from peak-era Radiohead or the art-school cool of Blur.

It’s a clever bit of tonal sleight-of-hand: tension without release, a breath held just a little too long. But The Marigolds know exactly what you’re waiting for, and when the chorus hits, it detonates.

The band channels pure Sub Pop voltage—a Mudhoney-esque scream-sing explosion, all grit-teeth defiance and garage-wrecking swagger.

It’s the kind of hook that doesn’t just stick; it shreds.

“Robot Queen” feels like a message beamed straight from the grunge-soaked 90s, but it never sinks into nostalgia tourism.

Instead, it captures that era’s reckless pulse and filters it through the band’s own nervy modern lens. It’s loud, it’s unpolished, and it absolutely rips.

If there’s any justice, this one’s destined to be a mosh-pit catalyst—the song that sends drinks flying, heads banging, and floors shaking.

The Marigolds have dropped a banger that proves the spirit of alt-rock’s golden era isn’t gone; Long live the Robot Queen.